Michael Beil (2017), 12'
performed and recorded at home by Silvia Lucas.
"In a world minted by media even the total absence of an instrument in a classical concert doesn’t lead to any irritation in the audience. In Key Jack a pianist is multiplied while fake-playing together and interacting with their alter egos. Meanwhile the playback of piano-sounds and the faked movements of playing let the spectators lose sight of the fact that there’s no piano." (Michael Beil)